And of course I showed up three hours late, in a horrific mood. You might be one of the few filmmakers in the world who could have conceived that scene the way you did. Part of their trip out to nature was about reconfiguring or reclaiming their masculinity. Interestingly, Dani could not theorize what it meant for a woman to rape another woman, but she intuitively felt that it was possible. Connie Kieltyka, the woman who plays the deputy, is a midwife.
I never, never, never want to make a film like that again. But even that scene is a failure, because the woman who played the rapist was a single mother, and had childcare issues, so she had to leave early. And before I knew it, Jennifer Reeder gave me a video of her first child being born, which was incredibly generous of her. Connie Kieltyka, the woman who plays the deputy, is a midwife. And of course I showed up three hours late, in a horrific mood. The question of competence in relation to women and filmmaking is where my art lives. Once I left, everyone back in Rosendale just totally relaxed, and they shot up a storm, and created this beautiful scene, one of the nicest scenes in the whole film. A school of filmmaking that Peggy basically founded. Because of that, I ended up risking [some of my closest] friendships, which of course is folded into the narrative of the film. She maybe did it begrudgingly, but I think she did it really, really well. In preproduction for Deliver, Ihad a great deal of trouble configuring the rape scene. Deliver is sort of the bookend to Art for Teachers of Children. The current wars in Iraq and Afghanistan are so pervasive that obviously it inflects contemporary art practice. How did you come up with the idea of Deliver? She said Dickey was so squarely masculine. I have to admit that I questioned the physical competence of your characters: I knew the film was supposed to put an end to something. As a result, I think the film is fairly lumpen, and limited in its appeal. I was like a dog with a bone. In the early car scenes, the radio plays news about the Iraq War. Montgomery takes her funny thought experiment to surprising and provocative depths, and Deliver tweaks our understanding of big ideas like gender, violence, birth and nature: I knew it was going to be a disaster. No wonder she missed. We were at war when Dickey wrote Deliverance and we are at war now. She probably rues the day. Also, while I was editing, I was talking to my friend Jason Simon about how I was having trouble coming up with a title, and he [suggested] Deliver.
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