The Guest House is pretty much about what the title suggests; a young woman becomes enthralled by her father's new employee who's staying in the guest house, and they start a friendship that, about forty minutes in, turns into so much more. I happened to find myself on an elevator with the two actresses a half hour or so later. First, there's the electrical storm of their early encounters. The true Netflix trifecta. At times, Exarchopoulos can look like a kid, her face free of makeup, her hair greasy and unkempt, her limbs gangly and unfinished.
There's a lot that's pretty great about their lengthy sex scene, including - but not limited to - knee high argyle socks. Come on America, get it together. They may not all be there now, but it's a great jumping off place. And now that the author of the graphic novel on which the film is based and the stars have gone on record to express their discomfort with those scenes , it's hard not to view them as a distraction at best, a piece of exploitation at worst. I happened to find myself on an elevator with the two actresses a half hour or so later. For many reasons - including adorable star Melonie Diaz - this is one to add to your queer queue. But I truly hope the furor surrounding those scenes doesn't overshadow the incredible performance by Exarchopoulos, whose name I'm already learning to pronounce and spell in hopes that we'll be repeating it from now until Oscar night. It's not about the sex, it's about the journey. Perhaps even better than that is the scene before, in which Lola trips and falls about as dramatically as possible on a sidewalk. Specifically for somewhat average lesbian housewife Abby, this involves becoming a prostitute. She also starts documenting her relationship with her friend Antonia, which begins about an hour into the film with a lovely little intimate sex scene. Both are utterly believable. Lo and behold, about a half hour in a frustrating piano practicing session turns into a different kind of exercise between two room mates with a dangerous attraction to each other. In this film, a middle age ex-gymnast is struggling to reclaim her life and finds romance with a younger woman with whom she's started training with as an aerialist team. Unfortunately, said girl is presently engaged to her male business partner, and therein lies the conflict which you will notice is a pretty common conflict in these films. Happy viewing, and try to remember to leave your house every once in a while! Like, nothing is left to the imagination-level heating up. You care about her, you believe in her journey, you want her to win. She's looking for a teacher, not a student. Sure, there are conversations and stuff, but we're not even going to put a minute counter on this one because the movie is called Room in Rome. Things don't end up super well for these two, but if you're looking for a queer French stalker romance featuring some lovely piano music and who isn't, really? Then, director Abdellatif Kechiche will shoot her from another angle and we see her as the desirable -- and desirous -- young woman she is becoming. Come for the kink, stay to find out if Natalie fulfills her filmmaking dreams. The girls first bond while on a trip together, and after a sexy swimming session hook up for one very long, very intimate, very realistic, sex scene right around the 35 minute mark. Yay adorable dominatrixes who want to be film makers!
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